In Panic, Pistoletto destabilizes the modern subject by collapsing the boundary between observer and observed, transforming the mirror into a site of disorientation where the self is continually reconfigured through relational encounter.
Michelangelo Pistoletto：Born in Biella in 1933, is a leading figure of Arte Povera. Renowned for his Mirror Paintings, his work incorporates the viewer, reality, and time to examine the relationship between the individual and society, and between art and responsibility.